1 : 1 Advice Sessions – on pause June-July 2026

March 25, 2026 3:51 pm
Four people standing outside a large window in front of an art gallery. At the top of the window there is a panel that reads "Market Gallery" on the left and "13 Ross Street" on the right. The four people are mid-laughing and standing close together.

Our1:1 advice sessions are on pause from June-July and will re-open in August 2026!

At the beginning of each month we will release a limited number of slots that will be offered on a first-come-first-served basis. These 45-minute sessions are open to Glasgow-based artists and will take place on zoom.

Whether you’re working on an open call or funding application, exploring a new idea or wish to chat about your practice more broadly – it’s really important to us that the mentoring session be used in a way that feels right for you.

You will be paired with a committee member at random – you can find a short bio for each committee member below.

We are keen to offer the sessions to as many people as possible so if you have had a mentoring session recently with one of the committee members, we ask that you hold off booking another session for 6 months. This break between sessions allows us to speak to as many of you as possible. 

We’re looking forward to having a chat <3 

~ Current Market Committee ~ 

Marguerite Carson hates the rampant professionalisation demanded of us by artist bios xo

Mina Heydari-Waite works across moving image, installation, sound, and text. Her practice is grounded in research-led, collaborative, and materially attentive methods. Her work examines infrastructures of power, memory, and transmission, treating affect not as interior sentiment, but as a point of departure through which histories register, collectivities form, and liberatory social modes might be imagined.

Myles Westman flits between sound/sonic installation, moving image, text, and sculpture, led by speculative and archival research concerning Caribbean funerary rites, Jamaican communities in London, Black haptics, and the afterlives of slavery. They’re interested in Black  visual and sonic vernaculars, apertures of marronage created through double-meaning, fugitive practices and opaque affective gestures. 

Emmy Yoneda is an interdisciplinary artist interested in the connection between the politics of memory and inherited histories/landscapes, explored through moving image, drawing, text, and most recently, object making.